"Illegal excavations and looting of archaeological sites in parts of the Indo-Iranian borderlands and regions of South- Eastern Iran and Central Asia have been rampant over several decades. Archaeologists have attempted to minimise the damage caused by the plundering of sites by studying and publishing artefacts abandoned by looters on-site, or those recovered by security forces," write the authors.
"A small showcase of the Zahedan Museum keeps, among other finds, the fragmentary headless torso of a small statuette in a buff-grey limestone, with a strongly weathered surface. Without opening the showcase, I was allowed to take several pictures of the fragment, from various angles," writes the author.
As part of his 1935-36 excavation report on Chanhudaro, Ernest Mackay has a section on "Paste Plaques and Cylinders," two types of objects that were made of the same material, and were found in large quantities and occurring together across the excavated area of Mound II. The material was "...white, porous...with a texture like a fine pumice but sufficiently friable to be scraped away easily with the finger nail."
This paper studies the formation of craft activity areas in Mohenjodaro. Since 1981, one of the key lines of research carried out by German and Italian archaeologists at Moenjodaro has been the surface evaluation of the craft activity areas of the archaeological complex.
This article examines the social implications associated with historical architecture. The presence of centralized "palaces" suggests a social stratification including an elite class.
The Power of a Lost Ritual. An exceptional and controversial recent find in a private collection is analyzed by a leading Italian archaeologist in this fully illustrated complete online volume with many potential implications for understanding ancient Indus culture.
This paper represents as introduction to the work of a contemporary soapstone-cutter living and working between Baluchistan and Sindh.
The results of a three-day visit to the site in March 1984 by two experienced Indus archaeologists, the first such visit since Chanhu-daro was excavated in the 1930s by E.H. Mackay.
The evidence and theories surrounding three chert end-scrapers which were discovered on the surface of Mohenjo-Daro. Wear patterns as well traces of an organic substance found in the grooves offer insight into the original uses of the artifacts.
Indus craftsmanship of small objects and articles and the patterns of intricacies and experimentation in their production -- or Indus Valley technical virtuosity. The paper covers a thorough classification of artifacts and trends in their production over time.