A provocative paper which claims that "the Indus civilization reveals that a ruling class is not a prerequisite for social complexity" (p. 1). The author, who is at Cambridge University where he has long been involved with the groundbreaking Two Rains project, starts with John Marshall and other
"The recognition of variation and diversity [in the ancient Indus civilization] has encouraged a gradual, though not universally accepted, shift toward the interpretation that certain categories of Indus material acted as ‘a veneer… overlying diverse local and regional cultural expressions'," write the authors.
The second article of a pair with Mapping Archaeology While Mapping an Empire: Using Historical Maps to Reconstruct Ancient Settlement Landscapes in Modern India and Pakistan. This uses the theoretical techniques developed there with a real world example, the devastating Indus flood of 1909 that led
Science is slowly transforming ancient Indus studies, from DNA analysis of skeletons that point to migration and disease, to isotope analysis that reveals the distant origins of raw materials. One of the cleverest – and potentially rewarding i terms of increasing the number of ancient sites to investigate – must be the use of old maps.
A complex meta-analysis of data in a corner of northwestern India for what it can tell us about settlement patterns during the ancient Indus period and just after, when a host of factors, including possibly climate change, seem to have contributed to a re-allocation of populations between types of settlements.
A fascinating article that shows how old excavation records together with recent computer modeling techniques can be used to show how a constructed space changed over time, and how that evidence can speak to larger issues in a society.
The author describes how engravings on Harappan stamp seals allow the identification of particular artisans in the past and explains how 3D optical microscopy can be used on these engravings to reconstruct how past production events were undertaken by different individual carvers.