Articles on seals, cylinders, and their inscriptions from the ancient Harappan or Indus Valley Civilization.
"The recognition of variation and diversity [in the ancient Indus civilization] has encouraged a gradual, though not universally accepted, shift toward the interpretation that certain categories of Indus material acted as ‘a veneer… overlying diverse local and regional cultural expressions'," write the authors.
This deeply investigative article published in Walking with the Unicorn (2018) takes on some of the most unusual facts about ancient Indus seals to surmise about their function in the Indus polity as a whole.
A recent paper by the late Iravatham Mahadevan and his collaborator M.V. Bhaskar looks at signs in the Indus script that can be related to physical features in the landscape, and how this might play out in terms of interpreting them. A number of interpretations seem to fit together nicely.
Although much about Indus seals remains unknown, the steady application of rigorous, detailed analysis of a kind that earlier excavators could hardly dream of is slowly yielding clues and insights into the organization of work and craft in Indus cities.
The Indus civilization is in so many ways a puzzle wrapped in another puzzle. One of the most challenging with respect to seals are the terracotta seals of the adjacent and contemporaneous Ahar Banas culture.
A proof of the upcoming survey article by the Dean of Indus script scholarship, Asko Parpola, is now available on Academia.edu; it will be published in the highly anticipated Seals and Sealing in the Ancient World (Cambridge, 2018).
A very interesting and informative article that starts bringing the adjacent ancient state of Dilmun on the Arabian Gulf (many of the finds have been in present day Bahrain) to light, and what must have been a very rich trade and cultural relationship with ancient Indus cities.
Recently published research describes how engravings on Harappan stamp seals allow the identification of particular artisans in the past. He explains how 3D optical microscopy can be used on these engravings to reconstruct how past production events were undertaken by different individual carvers.