A closer look at the tablets discovered at Harappa during HARPS excavations and the locations where they were discovered at the site.
Articles on seals, cylinders, and their inscriptions from the ancient Harappan or Indus Valley Civilization.
A recent paper by the late Iravatham Mahadevan and his collaborator M.V. Bhaskar looks at signs in the Indus script that can be related to physical features in the landscape, and how this might play out in terms of interpreting them. A number of interpretations seem to fit together nicely.
This paper examines the nature of Indus seals and the different aspects of seal iconography and style in order to better understand their overall role in the Indus civilization.
This deeply investigative article published in Walking with the Unicorn (2018) takes on some of the most unusual facts about ancient Indus seals to surmise about their function in the Indus polity as a whole.
Based on recent excavations at Harappa, it is possible to determine that square seals with animal motifs (such as the elephant) and possibly the short horned bull are among the earliest form of seal with writing.
An exhibition being held in New York and Madison, Wisconsin, in 1998 on the representational art of the Indus Valley reveals a highly developed artistic tradition with many styles and techniques of production.
There are at least 18 examples of a "human and tiger" motif in Indus glyptic art. This short paper by one of the most prolific writers on ancient Indus themes, the late Dr. Gregory Possehl, wonders how we might read this visual artifact.
An analysis and interpretation of the so-called Harappan chimaera, one of the most peculiar and elaborate iconographies of Indus Civilization.