During the second half of the 3rd millennium BC, the Harappan Civilization covered an area of over one million square kilometers in South Asia, from the Afghan highlands to western India.
Articles on seals, cylinders, and their inscriptions from the ancient Harappan or Indus Valley Civilization.
This comprehensive look at the development of the Indus script makes a clear and cogent case that its origins likely can be traced to the pre and post-firing graffiti marks found on pottery throughout the region.
A detailed look at the unicorn icon on Indus objects, incorporating the latest findings, even incomplete ones like the unicorn figurines shown from Ganweriwala.
"Talcose stone was used primarily to make beads, seals and tokens, but also for inlay pieces, small figurines and sculptures. In contrast to faience, massive talc was not commonly used to produce either small vessels or bangles.
The author describes how engravings on Harappan stamp seals allow the identification of particular artisans in the past and explains how 3D optical microscopy can be used on these engravings to reconstruct how past production events were undertaken by different individual carvers.
A technical paper which rewards the follower with valuable insights and serves, on a platter as it were, some complex puzzles in Indus iconography for further cogitation to the reader.
A very interesting and informative article that starts bringing the adjacent ancient state of Dilmun on the Arabian Gulf (many of the finds have been in present day Bahrain) to light, and what must have been a very rich trade and cultural relationship with ancient Indus cities.
Steatite (soapstone) artifacts have been found at nearly every excavated Harappan period (2600-1900 BC) site and were the primary element used to make seals.
A proof of this upcoming survey article by the dean of Indus script scholarship, Asko Parpola, is now available on Academia.edu; it will be published in the highly anticipated Seals and Sealing in the Ancient World (Cambridge, 2018).
Archaeologists studying the emergence of early civilizations often focus on finely crafted art objects in order to understand the aspects of economic, socio-political and religious organization. The importance of such objects is increased when studying early societies for which there are no written records, such as the Indus Valley civilization.