A must-read paper. Dennys Frenez classifies and nicely illustrates recent finds in the Oman Peninsula connecting it to the Indus civilization in multiple ways.
"The recognition of variation and diversity [in the ancient Indus civilization] has encouraged a gradual, though not universally accepted, shift toward the interpretation that certain categories of Indus material acted as ‘a veneer… overlying diverse local and regional cultural expressions'," write the authors.
It is really nice in a paper to be able to speak both of what is happening now, at the cutting-edge of bead and shell-making Indus craftsmanship and continuing discoveries, and be able to relate each tradition back to its earliest appearance in the subcontinent and elsewhere.
The least excavated of the five large known ancient Indus cities – Mohenjo-daro and Dholavira, Harappa and Rakigarhi – is Ganweriwala, discovered in the late 1980s by Rafique Mughal. Deep in the desert, far from towns and close to the Indian border, it is hardly written about.
Walking with the Unicorn is an extraordinary volume and tribute to Jonathan Mark Kenoyer and his profound and extensive impact on the field of ancient Indus studies. Contributors include some 80% of the world's leading ancient Indus scholars who contributed some 45 illustrated articles.
This paper reviews the work done since the early 1970s east of Karachi along the Makran coast, containing what were once extensive mangrove areas (where salt and fresh water meet to create unique habitats).
This deeply investigative article published in Walking with the Unicorn (2018) takes on some of the most unusual facts about ancient Indus seals to surmise about their function in the Indus polity as a whole.
"For archaeologists," write the authors, "pottery is one of the most significant sources of data, not only for the durability and abundance of ceramic artefacts in the archaeological record, but also for the vast range of information on ancient societies that can be inferred from its study."
Of all the objects in the National Museum of Pakistan's Indus Gallery in Karachi, none quite so grabs your attention with its innate character as this tiny faience monkey from Mohenjo-daro.
On a recent visit to Delhi, I found myself free for two hours and made my way in a rickshaw from Jama Masjid to the National Museum. It was a Sunday afternoon. After paying the entrance fee and breathlessly arriving at the Harappan Civilisation doorway, I found that it was closed for renovations! Momentarily dispirited, it turned out that there was another entrance and much of the gallery was still open – disaster averted.
