"This chapter [in the forthcoming book Pratnamani: Felicitation Volume for Professor Vasant Shinde, 2020] explores previously reported variation in the mortuary practices of two Indus cities—Rakhigarhi and Harappa—to describe the typical range of variation for Indus cemeteries," writes the author.
"The theme of this volume has forced us to consider and grapple with what activities occur at night and how that can be applicable to the archaeological record of the Indus civilization. In doing so we have focused on water and sewage system maintenance, a traditional nighttime activity of the modern world, to demonstrate how the common spaces and activities of maintenance would have constructed a shared sense of belonging for participants and/or imposed shared identities upon them by outside viewers," write the authors.
Although cemeteries and burial analysis of Indus peoples is sparse, the authors write, "however, important insights have been gleaned from available mortuary populations. Previous morphological and strontium isotope studies of skeletal material at the sites of Harappa and Lothal suggest residence change may have been common for certain individuals and that increased mobility facilitated gene flow with hinterland groups."
A comprehensive and important paper that actually takes on the much larger question of Mesopotamian to Indus influence which animated the work of earlier archaeologists. Clark discusses so-called "Harappan courtiers," figurines with tiaras and flower headresses that are thought to have parallels with Mesopotamian artifacts, particularly the royal burial goods of Queen Puabi.
An excellent distillation of where we stand to the "Bronze" in the Bronze Age Indus Civilization. "Besides clay," writes the author, "there is no other raw material that Indus craftspeople worked into such a diversity of forms and types of artifacts."
An excellent recent (2019) summary of what we know about ancient Indus foods that were, likely and speculatively, derived from plant resources, and what implications these diverse discoveries over the years have for our understanding of ancient Indus society.
There are at least 18 examples of a "human and tiger" motif in Indus glyptic art. This short paper by one of the most prolific writers on ancient Indus themes, the late Dr. Gregory Possehl, wonders how we might read this visual artifact.
"When we speak of Harappan material style, we need to include the whole package of raw material, technological know-how as well as shape and pattern," writes Dr. Heidi J. Miller, who goes on to present "a preliminary study of what defines a Harappan phase ceramic assemblage by comparing the assemblages from the sites of Harappa in the Punjab, Mohenjo-daro and the smaller site of Chanhu-daro, both in Sindh, and illustrating what is shared amongst these contemporary occupations."
It is really nice in a paper to be able to speak both of what is happening now, at the cutting-edge of bead and shell-making Indus craftsmanship and continuing discoveries, and be able to relate each tradition back to its earliest appearance in the subcontinent and elsewhere.