Although much about Indus seals remains unknown, the steady application of rigorous, detailed analysis of a kind that earlier excavators could hardly dream of is slowly yielding clues and insights into the organization of work and craft in Indus cities.
An exploration of the prevalence and manufacture of a distinctive ornament which persists both in South Asian culture today, and throughout the larger West Asian and Middle Eastern world as well.
A fascinating article that shows how old excavation records together with recent computer modeling techniques can be used to show how a constructed space changed over time, and how that evidence can speak to larger issues in a society.
This paper illustrates the different types of technology that was used for firing pottery and terracotta objects in the greater Indus region in the third milliennium B.C.E. Using excavation data from the Kachi Plain (Mehrgarh, Lal Shah and Naushoro), Harappa and Mohenjo-daro, Miller develops a classification for the range of firing structures and technologies.
A detailed look at the unicorn icon on Indus objects, incorporating the latest findings, even incomplete ones like the unicorn figurines shown from Ganweriwala.
This paper studies the formation of craft activity areas in Mohenjodaro. Since 1981, one of the key lines of research carried out by German and Italian archaeologists at Moenjodaro has been the surface evaluation of the craft activity areas of the archaeological complex.
The archaeologist George F. Dales, who excavated at Mohenjo-daro in 1964, and hydrologist Robert L. Raikes propose a theory around the decline of the Indus civilization which involves large flooding and a back-up of the Indus for perhaps a century in ancient times.
This article examines the social implications associated with historical architecture. The presence of centralized "palaces" suggests a social stratification including an elite class.
The evidence and theories surrounding three chert end-scrapers which were discovered on the surface of Mohenjo-Daro. Wear patterns as well traces of an organic substance found in the grooves offer insight into the original uses of the artifacts.