A well-illustrated 140 slide PDF that explores the Indus script, origins, writing direction and more. While the slides by Indus scholar Dennys Frenez lack his narration, many of the slides are self-explanatory and provide a rich visual overview of the Indus civilization its writing and the many issues involved.
"British scholarship of Indian history during the colonial period produced an essentialist construct of an Indian cultural tradition that was deemed unchanged since antiquity and recoverable through archaeological excavations" (p.
An interesting paper which looks at the extensive finds of what are likely game pieces, boards and other related artifacts from Mohenjo-daro. The author tries to relate finds at the site with contexts, and while this is difficult given poor documentation from earlier excavations, it does seem as if game play was extensive.
A provocative paper which claims that "the Indus civilization reveals that a ruling class is not a prerequisite for social complexity" (p. 1). The author, who is at Cambridge University where he has long been involved with the groundbreaking Two Rains project, starts with John Marshall and other
"The contexts of script and changes in the writing over time indicate that the Indus script was versatile and that it was probably used to communicate complex ideas as well as multiple languages.
"The theme of this volume has forced us to consider and grapple with what activities occur at night and how that can be applicable to the archaeological record of the Indus civilization. In doing so we have focused on water and sewage system maintenance, a traditional nighttime activity of the modern world, to demonstrate how the common spaces and activities of maintenance would have constructed a shared sense of belonging for participants and/or imposed shared identities upon them by outside viewers," write the authors.
"A small showcase of the Zahedan Museum keeps, among other finds, the fragmentary headless torso of a small statuette in a buff-grey limestone, with a strongly weathered surface. Without opening the showcase, I was allowed to take several pictures of the fragment, from various angles," writes the author.
An excellent distillation of where we stand to the "Bronze" in the Bronze Age Indus Civilization. "Besides clay," writes the author, "there is no other raw material that Indus craftspeople worked into such a diversity of forms and types of artifacts."