Online articles on the ancient Indus Valley civilization, usually available as a PDF on another site like

What Makes a Pot Harappan?

"When we speak of Harappan material style, we need to include the whole package of raw material, technological know-how as well as shape and pattern," writes Dr. Heidi J. Miller, who goes on to present "a preliminary study of what defines a Harappan phase ceramic assemblage by comparing the assemblages from the sites of Harappa in the Punjab, Mohenjo-daro and the smaller site of Chanhu-daro, both in Sindh, and illustrating what is shared amongst these contemporary occupations."

Perspectives from the Indus: Contexts of interaction in the Late Harappan/Post-Urban period

Rita P. Wright, an archaeologist with long experience understanding the Indus areas around Harappa (see the Beas Settlement and Land Survey) looks at the complex evidence surrounding the decline of Indus civilization at the end of the third and beginning of the second millennium (around 2000 BCE and afterwards).

Materializing Harappan identities: unity and diversity in the borderlands of the Indus Civilization

The authors take on the complex question of how Harappan or Indus culture made its presence felt in Gujarat from about the middle of the third millennium through the decline of Indus civilization six or seven hundred years later. How did Indus traditions as expressed in material culture and the manufacture of these objects relate to what we see in Indus cities like Mohenjo-daro and Harappa?

‘We are inheritors of a rural civilisation’: rural complexity and the ceramic economy in the Indus Civilisation in northwest India

The relationship between ancient Indus centers - which we know best and consider a hallmark of the civilization - and the vast rural "hinterland" that surrounded them is the subject of this lucid paper.

New excavations at the Umm an-Nar site Ras al-Hadd HD-1, Sultanate of Oman (seasons 2016–2018): insights on cultural interaction and long-distance trade

"Recent discoveries of Indus and Indus related materials at sites in the interior, and a general reassessment of comparable materials throughout Oman, suggest a more complex model of
interaction. . . these artefacts probably reflect the presence of small groups of Indus merchants and craftspeople integrated into local communities and directly involved with important socioeconomic activities."

Looking beneath the Veneer Thoughts about Environmental and Cultural Diversity in the Indus Civilization

"The recognition of variation and diversity [in the ancient Indus civilization] has encouraged a gradual, though not universally accepted, shift toward the interpretation that certain categories of Indus material acted as ‘a veneer… overlying diverse local and regional cultural expressions'," write the authors.


Subscribe to Online