A brief discussion of the methodologies needed for the study of Indus ornaments is presented along with examples of how Indus artisans combined precious metals, stone beads, shell and faience to form elaborate ornaments.
An exhibition being held in New York and Madison, Wisconsin, in 1998 on the representational art of the Indus Valley reveals a highly developed artistic tradition with many styles and techniques of production.
Passed from generation to generation as heirloorns, many beads link the past to the present, and over time, such antique beads gain incredible value because of their historical significance and in some cases, spiritual powers.
Beads and pendants are important forms of ornament that have a very long history in the subcontinent.
The purpose of this article is not to present a summary of all of the major discoveries made in the last 55 years, but rather to highlight those that have resulted in major shifts in research paradigms and interpretive frameworks.
During the past two decades a variety of archaeological research projects focused on the Indus civilization have made it possible to refine earlier models regarding the origin and character of this distinctive urban society.
This paper will summarize the available literature and recent discoveries on the production and use of metals by peoples of the Indus Valley,Tradition of Pakistan and Western India.
Some of the major new perspectives on the Indus Civilization that are the result of new discoveries at sites in the core regions of the Indus Civilization found in both Pakistan and India.
The vast mounded remains of the ancient city of Harappa, one of the largest sites of the Indus Valley civilization, have been known by scholars for more than one hundred years. Occupied almost continuously for more than five thousand years, Harappa's ancient ruins represent the traces of one of the earliest cities of the world, and even today one-third of the area is still occupied by the modern and thriving city of Harappa.