"This research project focuses on the Ghaggar plains, which occupies the north-eastern corner of the Indus society, in order to understand the temporal change of craft production through time from the Indus urban period to the post-urban period in this region. As a part of the project, faience objects have been subjected to a series of scientific analyses to identify their raw materials and production technology" (p. 1) write the authors.
Online articles on the ancient Indus Valley civilization.
This article, in a volume in honor of the "father" of Central Asian Archaeology, Victor Sarianidi, is a solid recap of the many connections between the ancient Indus civilization and contemporary Central Asian cultures.
An interesting series of reflections on how we have viewed the ancient Indus through the prism of whatever archaeological priorities or worldviews were in fashion then, and how the evidence, slowly, can push against these preconceptions.
So much attention has been focused on seals, that we sometimes forget that sealings was their most prosaic and basic function: making impressions on clay or other humble materials to perform some sort of basic administrative functions.
What did ancient Indus people eat? What kind of crops did they grow? What did they cook? How might these things differ by city, town and region? To even get close to answering these questions, one needs a "a systematic collation of all primary published macrobotanical data, regardless of their designation as ‘crop’, ‘fully domesticated’ or ‘wild/weedy’ species," writes author Jennifer Bates.
There are at least 18 examples of a "human and tiger" motif in Indus glyptic art. This short paper by one of the most prolific writers on ancient Indus themes, the late Dr. Gregory Possehl, wonders how we might read this visual artifact.
A judicious review of the evidence for trade between the ancient Indus and Mesopotamia, with a focus on prestige objects like carnelian beads and shell bangles and the implications and questions we may draw from them about the nature of the connections between both civilizations.
"When we speak of Harappan material style, we need to include the whole package of raw material, technological know-how as well as shape and pattern," writes Dr. Heidi J. Miller, who goes on to present "a preliminary study of what defines a Harappan phase ceramic assemblage by comparing the assemblages from the sites of Harappa in the Punjab, Mohenjo-daro and the smaller site of Chanhu-daro, both in Sindh, and illustrating what is shared amongst these contemporary occupations."
Rita P. Wright, an archaeologist with long experience understanding the Indus areas around Harappa (see the Beas Settlement and Land Survey) looks at the complex evidence surrounding the decline of Indus civilization at the end of the third and beginning of the second millennium (around 2000 BCE and afterwards).