Articles on inscriptions, the script or sign system, iconography and writing in the Indus Valley Civilization from the earliest appearances of potters marks on. Includes articles by leading scholars of the Indus script, including Asko Parpola and Iravatham Mahadevan.
Based on recent excavations at Harappa, it is possible to determine that square seals with animal motifs (such as the elephant) and possibly the short horned bull are among the earliest form of seal with writing. >
The writer, who teaches at CNRS/Université Paris-Saclay in France, has come up with a paper rich in historical and epigraphical associations that complexify and simplify thinking about one of the most important signs on Indus seals, "nearly ten percent of all textual matter." >
The first of a continuing series of articles by scientists at the Tata Institute of Fundamental Research (TIFR) undertaking a scientific analysis of Indus sign patterns. >
"This paper reports a broad range of new observations about sign behaviour in relation to and independently of animal behaviour on Indus seal-impressions," writes the author. >
In 2004 Steve Farmer, Richard Sproat (University of Illinois) and Michael Witzel (Harvard University) stunned the world of ancient Indus scholarship with the claim that the Indus sign system was not writing. Asko Parpola's work was a target of their critique. This is his response. >
A Mesopotamian cylinder seal referring to the personal translator of the ancient Indus or Meluhan language, Shu-ilishu, who lived around 2020 BCE during the late Akkadian period. >
The substantial article examines seven inscribed unicorn steatite seals from the Indus site of Bagasra (Gola Dhoro), in Gujarat. These seals are important for understanding the craft industry of the Indus Civilization. >
A Dravidian solution to the Indus script problem was presented as the Katalgnar M. Karunanidhi Classical Tamil Research Endowment Lecture on June 25, 2010 in Coimbatore. >
The Convocation Address of February 26, 2015 at the Dravidian University in Kuppam reflects on similarities between the Indus script and later Dravidian culture. With a number of illustrations and discussions of recent finds in south India. >
