A complex meta-analysis of data in a corner of northwestern India for what it can tell us about settlement patterns during the ancient Indus period and just after, when a host of factors, including possibly climate change, seem to have contributed to a re-allocation of populations between types of settlements.
An insufficient number of archaeological surveys has been carried out to date on Harappan Civilization cemeteries. One case in point is the necropolis at Rakhigarhi site (Haryana, India), one of the largest cities of the Harappan Civilization, where most burials within the cemetery remained uninvestigated.
The recent (Sept. 2019), 95 scientist, massive DNA study that shows how migrants into India from the west and north contributed to local DNA and which aligns with recent analyses on Indo-European languages coming into the subcontinent from the northwest as well.
An exploration of the prevalence and manufacture of a distinctive ornament which persists both in South Asian culture today, and throughout the larger West Asian and Middle Eastern world as well.
The beauty of this paper is that it sets out very clearly the procedure needed to document bead types, the careful measurement and classification steps to start understanding a specific bead tradition.
Preliminary results from recent surveys along the little explored coast of Sindh and Balochistan, where the evidence of ancient human habitation along a one-time mangrove coast keeps growing.
A proof of this upcoming survey article by the dean of Indus script scholarship, Asko Parpola, is now available on Academia.edu; it will be published in the highly anticipated Seals and Sealing in the Ancient World (Cambridge, 2018).
A fascinating article that shows how old excavation records together with recent computer modeling techniques can be used to show how a constructed space changed over time, and how that evidence can speak to larger issues in a society.
An exceptionally interesting paper that traces the path of ivory carving from the ancient Indus civilization up north to Gonur Depe in southern Turkmenistan, north of Afghanistan.
The research carried out in Sindh during the last forty years, and the study of the chipped stone assemblages stored in Karachi University collections, show that Late (Upper) Palaeolithic [50,000-10,000 years ago] complexes are known from at least five regions of Sindh. Most sites are located close to good quality raw material outcrops and freshwater sources.
Wikipedia defines a paleo-channel as "a remnant of an inactive river or stream channel that has been filled or buried by younger sediment.
This paper illustrates the different types of technology that was used for firing pottery and terracotta objects in the greater Indus region in the third milliennium B.C.E. Using excavation data from the Kachi Plain (Mehrgarh, Lal Shah and Naushoro), Harappa and Mohenjo-daro, Miller develops a classification for the range of firing structures and technologies.
Perhaps some of the best clues to deciphering Indus seals may lie in the Arabian Gulf, where inscribed seals seem to have arrived and taken root just as they disappeared in Indus cities around 2000 BCE. "The Harappan sealing tradition, however, continued in Dilmun long after it had vanished from the Indian subcontinent and lived a vibrant life of its own," writes Steffen Laursen.
A very interesting and informative article that starts bringing the adjacent ancient state of Dilmun on the Arabian Gulf (many of the finds have been in present day Bahrain) to light, and what must have been a very rich trade and cultural relationship with ancient Indus cities.
As part of his 1935-36 excavation report on Chanhudaro, Ernest Mackay has a section on "Paste Plaques and Cylinders," two types of objects that were made of the same material, and were found in large quantities and occurring together across the excavated area of Mound II. The material was "...white, porous...with a texture like a fine pumice but sufficiently friable to be scraped away easily with the finger nail."
Another sign of the growing importance of archaeobotanical datasets and the way in which qualitative and quantitative analysis can be used to paint a richer picture of something as complex as agriculture and nutrition in ancient Indus times.
The author describes how engravings on Harappan stamp seals allow the identification of particular artisans in the past and explains how 3D optical microscopy can be used on these engravings to reconstruct how past production events were undertaken by different individual carvers.
Coningham's article from an anthology of research on the archaeology of the Harappan Civilisation presents an overview of the complex nature of the origin and decipherment of the Indus script.
An important contribution synthesizing many fields of research. The authors write: "This paper will explore the nature and dynamics of adaptation and resilience in the face of a diverse and varied environmental and ecological context using the case study of South Asia’s Indus Civilization (ca. 3000–1300 BC), and although it will consider the Indus region as a whole, it will focus primarily on the plains of northwest India."
"My conclusion," writes the Indus script scholar Asko Parpola, "is that the Indian Rsyasrnga legend goes back to the Harappan religion, where the unicorn bull depicted on thousands of seals has a real local animal, the nilgai antelope, called rsya in Sanskrit. His single horn, the length of which is exaggerated, has a phallic connotation and emphasizes the importance of this animal as a symbol of fertility."
Mehrgarh is the gift that keeps on giving to archaeologists, this time as the location with the oldest known cotton in the Indian subcontinent. Pushing back the origin of major crops, like rice recently, or silk previously, suggests that while some agricultural practices may have spread east to the Indus valley, others, like rice and perhaps cotton and crops that could rotate with other crops may have spread westwards from the Indus region.
This article is a great example of the investigative work that is required when archaeological evidence and its analysis face mysterious disappearances.
In this concise article in the journal Nature from October 2015, Andrew Robinson reflects on the history of attempts to decipher the Harappan script. More than 500 distinct Indus symbols have so far been identified, and it is now generally believed that the script was read from right to left.
In this article, Heather Miller explains how looking at craft production location with respect to civic organization provides insights into possible associations between crafts, as well as general Indus attitudes toward the placement of manufacturing within city centers.
The authors look at the evidence of approximately 70 etched/bleached carnelian beads found from sites along the Arabian shores of the Persian Gulf (in Bahrain, Oman and the UAE) and hypothesize that these beads were imported from workshops on the Indian subcontinent, whether through direct or
In this article, the authors report on skeletal evidence from 2000 BCE at the site of Balathal, in Rajasthan, India, in an attempt to document the oldest evidence for leprosy.
Balithal has two phases of occupation - a small occupation in the Early Historic period (cal.
The analysis of beads from different periods and areas of Harappa have made it possible to define specific trade networks and the organization of production as well as changing patterns of interaction over the history of a site.
In this article Erwin Neumayer studies the rock paintings from sites in Madhya Pradesh, Karnataka, Uttar Pradesh and Rajasthan to investigate the role and types of the chariot.
In this 2004 article from the quarterly publication Sindh Watch, Paolo Biagi synthesizes the evidence of female clay figurines from Bronze Age sites in the Indus Valley to highlight the social and cultural roles of women in that society. He draws on earlier evidence from the neolithic site of Mehrgarh, in Balochistan, as well as that from mature Harappan sites like Mohenjodaro and Harappa. Based on this analysis he offers the insights into the role of women as depicted in the figurines.