The large horns could represent the power or virility of the animal; whoever wore the horns would possess similar attributes. According to J.M. Kenoyer, they may depict powerful hunters, shamans or even some form of water buffalo or cattle deity. Asko Parpola writes "a male deity having similar long eyes and bulls horns, but a goat's beard in addition, is known from several terracotta masks and terracotta statuettes" (Indus Script, p. 234). See also Deity Strangling Tigers Tablet and Parpola's essay Deciphering the Indus Script.
Blog posts about the art of the ancient Indus Valley Civilization.
Movable head of a bovine figurine from Harappa. Some movable figurine heads are pierced through the horns on either side of the head. The movable heads of figurines often depict cattle. They are usually pierced laterally through the neck and vertically or sagittally through the head in order to secure them to the bodies and control them with a cord. Also a toy cart from Nausharo, a bird whistle and a complete ox or water buffalo cart with figurine.
Large square unicorn sealing (left) and seal from Mohenjo-daro. The unicorn is the most common motif on Indus seals and appears to represent a mythical animal that Greek and Roman sources trace back to the Indian subcontinent. A relatively long inscription of eight symbols runs along the top of the seal. The elongated body and slender arching neck is typical of unicorn figurines, as are the tail with bushy end and the bovine hooves. This figure has a triple incised line depicting a pipal leaf shaped blanket or halter, while most unicorn figures have only a double incised line.
One of the finest ancient Indus painted jars ever found, excavated at Chanhu-daro during the 1935-36 season led by Ernest MacKay. JM Kenoyer describes it as a "large storage jar with red slip and black painted motifs, including peacocks, vegetation and the famous intersecting-circle design. Such vessels were probably used as marriage gifts or for other ritual occasions, and the motifs undoubtedly represent auspicious blessings on the owner" (Ancient Cities of the Indus Civilization, p. 231). See also Finds and Chanhu-daro.
Humped bull figurine from Mohenjo-daro with molded head that is twisted to the side, and a mold used to make the head. The legs were made separated rather than being joined together. Hand formed body and attached head. Eyes are carved with appliqué pupils as on the large hollow bull figurines. Material (Figurine and mold): terra cotta. Figurine – Dimensions: 5.23 cm height, 8.59 cm length, 2.92 cm width Mohenjo-daro, MD 832. Mold – Dimensions: 4.4 cm height, 3.7 cm length, 3.2 cm width. Mohenjo-daro, MD 1634. See also Seal with Two-Horned Zebu Bull.
A carnelian bead found at Harappa artificially colored with white lines and circles using a special bleaching technique developed by the ancient Indus inhabitants. For more information read Kenoyer and Vidale's paper Carnelian Bead Production in Khambat, India: An Ethnoarchaeological Study. See also Single Bead Pot (Collection).
It might be nice to step into the new year with the figure of a dancer, for dancing is something - there is every indication from the dancing girl to this - that the ancient Indus people took very seriously.
Gold and agate ornaments includes objects found at both Mohenjo-daro and Harappa. At the top are fillets of finely burnished hammered gold that would have been worn around the forehead. Each end of the top fillet is decorated with a punctuated design depicting the ritual offering stand that is common on the unicorn seals. The third ornament from the top was probably worn with the center point at the top of the forehead and the sides curving down over the eyebrows. The hole at the center and on the ends were for holding a cord. The other ornaments include bangles, chokers, long pendant
"Indus beadmakers have the distinction of producing the longest and most slender beads of carnelian in the world, prior to the advent of diamond drilling," (J.M. Kenoyer). Chanhu-daro has provided the most data about the manufacture of these long carnelian beads, seen here in a necklace or belt from Mohenjo-daro's DK Area. It could take weeks of intense labor to create one bead, some nearly 5 inches long, with much breakage along the way. See also Dorothy Mackay's article Finds at Chanhu-daro.