"The weights are precisely made, well polished and systematic (though unfortunately not inscribed with any Indus characters, which would have helped scholars to decipher the script's numerical system)."
Etched carnelian beads are a hallmark of the Harappan phase and copies of them in different materials are found during this period illustrating their value to the people of the Indus Valley Civilization. Examples of this bead type have also been found in Mesopotamia, Iran and the Gulf and it is believed now that all of these may have been manufactured in the Indus Valley.
It is ironic that what is possibly one of the most spectacular examples of Indus craftsmanship and artistry was found not at Mohenjo-daro or Harappa, or even in the subcontinent, but in ancient Mesopotamia.
These postcards from the early 1900s and albumen photographs from the 1860s give us a glimpse into some of the fishing technologies and practices that were in use at the time. Combining information from multiple sources, including archival images and narratives, enables us to draw conclusions about what the material culture and social practices of the people of the Indus Valley might have been like.
1. The first postcard is from the early 1900s, probably around 1905 in Sindh Province.
One of the most exciting discoveries of the year: a detailed, full-field photoluminescence study of a 6,000 year old copper "wheel" amulet from Mehrgarh in Balochistan has opened the door to many new facts about this period of history.
One of the finest ancient Indus painted jars ever found, excavated at Chanhu-daro during the 1935-36 season led by Ernest MacKay, who wrote that "a circle motif takes a prominent place, and in vessels of this kind, about half the painted area is usually occupied by this pattern."