People

Posts relating to people, gender, artistic representations, and common types in the ancient Indus Valley Civilization.

Possible Indus Crown

Not yet absolutely clear that this is an ancient Indus-style crown, but the chances are pretty good with find first reported in August. Reports on follow-up excavations in December by A.K. Pandey of the Archaeological Survey of India suggest it really could be from ancient Indus times, though final stratigraphy is awaited. The fact that the crown includes faience and carnelian, two typical ancient Indus precious materials, is promising. The August story can be found at Archaeology News Network. Read also the December report 4,000-Year-Old Copper Crown in India and a seal example of a similar

A Story Tablet from Harappa

One side of a planoconvex molded tablet found in 1995 in Mound ET at Harappa. Mark Kenoyer writes about his narrative scene depicting the killing of a water buffalo: "A person, possibly a man, with hair tied in a bun on the back of the head, impales a water buffalo with a barbed spear. The hunter's foot presses down on the water buffalo's head as he thrusts the spear into its shoulder. In Later Hindu rituals, the water buffalo sacrifice is associated with the worship of the goddess Durga, but on this seal the sacrifice takes place in the presence of a priest or deity seated in yogic position.

Ancient Indus Men's Hairstyles

Male hair styles and fashion in Ancient Indus
Ancient Indus males of stature seem to have had their hair tied in close buns, and with headband to further articulate their head. This is true of the priest king, shown here in a possible colored replica, the original, and in profile soon after being found in the 1920's. The figure below, with the same hair hair arrangement and headband, was found at Mohenjo-daro. Mark Kenoyer writes "Finely braided or wavy combed hair is tied into a double bun on the back of the head, and a plain fillet or headband with two hanging ribbons falls down the back.

Molded Tablets from Trench 11

Molded tablets from Trench 11 at Harappa sometimes have impressions on one, two, three or four sides. This group of molded tablets shows the complete set of motifs. One side is comprised entirely of script and has six characters, the first of which (on the very top) appears to be some sort of animal. A second side shows a human figure grappling with a short horned bull. A small plant with at least six branches is discernible behind the individual. The third panel portrays a figure seated on a charpoy or throne in a yogic position, with arms resting on the knees.

Harappan Burial Pottery

Painted and unpainted burial pottery from Harappa. The two largest vessels were found in the same burial and are described below. The other smaller vessels were found in an earlier burial and represent an older style of pottery. The bottom images shows a collection of burial pottery which come from one of the later burials towards the end of the Harappan period, possibly dating to 1900 BCE. Tall jar with concave neck and flaring rim: The rounded base was originally supported in a ring stand. The black painted geometric designs are arranged in panels with a red slip as background.

Miniature Mask from Mohenjo-daro

Miniature mask from Mohenjo-daro of bearded horned deity. The face is made from a mold and thumb impressions from pressing the clay are visible on the back. The mouth is somber and the long almond shaped eyes are open. The short horns arch from the top of the forehead and two long ears lay against the horns. Two holes on either side allow the mask to be attached to a puppet or worn as an amulet. 5.3 x 3.5 cm. See also Ritual Mask.

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