On a recent visit to Delhi, I found myself free for two hours and made my way in a rickshaw from Jama Masjid to the National Museum. It was a Sunday afternoon. After paying the entrance fee and breathlessly arriving at the Harappan Civilisation doorway, I found that it was closed for renovations! Momentarily dispirited, it turned out that there was another entrance and much of the gallery was still open – disaster averted.

Do the many female figurines at Indus sites justify the belief that the worship of a "mother Goddess" was prevalent then? One of India's most distinguished archaeologists offers a contrary viewpoint in this deeply informed, multi-faceted analysis of these figurines.

Shereen Ratnagar, in her brand new book The Magic in the Image Women in Clay at Mohenjo-daro and Harappa (soon to be reviewed here) offers an interesting conjecture around a set of male figurines found at the two iconic Indus sites.

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