Archaeological and photographic representations are, even today, mostly perceived on very similar terms. They are considered as being self-revelatory, reckoned as comparatively objective recording techniques, and often summoned as witnesses for verifying knowledge formation processes.
Essays on archaeological photography, pictures and images of the sites and artifacts of the ancient Indus Valley civilization
“The photographer will point his camera at each pinnacled niche or floriated doorway, he will take his sun painted sketch of each figured corbel or grotesque gargoyle; and in fact carry away in his
Early Efforts It is in these years that we find some of the earliest efforts of systematic photographing of excavations, one example being the photographs taken by Augustus le Plongeon and his wife,
Social Saliency The impulse to look beyond the ‘appearance’ of photographs has had very little hold within the archaeological imagination.
British Scholarship The British pursuit of knowledge on India followed the East India Company’s rise in status from a trading company to the revenue collector of Bengal in 1765. The translations into
Historical Scholarship Of the archaeological work that was undertaken during much of the nineteenth century, one was a survey of the ‘Hindu’ and ‘Mohammedan’ monuments, an activity pioneered as a
Documents Records When Cunningham got himself appointed by the then Viceroy, Lord Canning, to head the newly established Archaeological Survey, the Raj had been planted on the Indian soil, and so had
Visual Evidence Fergusson’s aim of creating visual documents that could transcribe his vision was not novel, as the painters, William and Thomas Daniells, had harboured similar objectives before him.
Collection Archives Although, the photographic documentation of India’s architectural topography had conclusively begun by the mid 1850's, it was pursued as a government-directed policy only after
Archive Field Study Encyclopedic repositories of photographs and drawings have proved to be one of the most enduring creations of colonial politics.