"The clearest example of the disregard with which gravediggers treated recent burials is the example of burials 194a and 194b. This burial is of a young woman and her infant, along with 32 pottery vessels that were carefully arranged along the edges of the burial pit . . .."
Another sign of the growing importance of archaeobotanical datasets and the way in which qualitative and quantitative analysis can be used to paint a richer picture of something as complex as agriculture and nutrition in ancient Indus times.
Four thousand years in the making, a free Indus script font package in scalable vector graphics for use in Word and other programs is now available. Over 1,800 signs represent the best Indus concordance by the longtime scholar Dr. Asko Parpola, engineered by the National Fund for Mohenjodaro.
A beautiful music video taking you to the ancient and modern town and surroundings of Harappa, from the magnificent banyan tree in the museum garden, to the galleries, bones and pottery.
"Following these criteria, at least one Harappan toponym can be isolated with a fair amount of confidence. Altogether 70 Indus insciptions have been recovered from Chanhujo-daro. Eleven of them contain the sign [shown], which is not known from any of the other thousands of Indus inscriptions found at other sites," writes Asko Parpola.
A beautiful, patient aerial tour of the site that contextualizes the relationship of the stupa mound, Great Bath and other areas to each other in a way no other way of visiting the site can.
In the coming months we will feature posts on the site known as Chanhudaro, in Nawabshah, Sindh. This is one of the most interesting and highly-sophisticated "small towns" of the ancient Indus Valley. Since 2015, a French-Pakistani joint archaeological mission has started excavating the site.
Rediscovering Harappa | Through the Five Elements, A Special Exhibition at the Lahore Museum is an awesome catalogue that speaks to the process of coming to grips with Indus artefacts at the Lahore Museum in 2016.
Recently published research describes how engravings on Harappan stamp seals allow the identification of particular artisans in the past. He explains how 3D optical microscopy can be used on these engravings to reconstruct how past production events were undertaken by different individual carvers.