As the first Mohenjodaro Conference in 44 years just ended, it is worth looking back at the last one in 1973, when many of the same themes and concerns were raised. In hindsight, there is some evidence of impact, even if the situation at the site has continued to deteriorate and the basic issues of waterlogging, salinity and enroachment remain as acute as ever.

These postcards from the early 1900s and albumen photographs from the 1860s give us a glimpse into some of the fishing technologies and practices that were in use at the time.

A major conference on Mohenjodaro is opening today in Mohenjodaro, with leading scholars from around the world, including many who contribute to Harappa.com.

A recent exhibition of Sumatran (Indonesian) ceremonial hangings in cotton and silk from the 19th century at the De Young Museum in San Francisco made me wonder whether such textiles were also in vogue in another maritime culture, the ancient Indus, whose boats would not seem out of place in these examples.

A critical news report from Al-Jazeera about the state of the site in 2017, with footage which shows the difference between the city these days, and the relatively recent past.

An article in The Verge discusses efforts by scientists at the Tata Institute of Fundamental Research and others to use algorithmic analysis to decipher the ancient Indus script.

"Between the Buddhist stupa, with its surrounding monastic buildings, and the Great Bath, a considerable stretch of ground which sloped upwards to the east presented interesting possibilities . . ."

"The Harappans had a goddess of war connected with the tiger, another large feline that was once native to the Indus Valley. On a cylinder seal from Kalibangan, a goddess in long skirt and plaited hair holds the hands of two warriors in the process of spearing each other."

Mohenjo Daro is unique because it is the first cinematic release featuring this ancient city. In Hollywood and western cinema, there are many dramatisations on ancient Egypt which was contemporary to the Indus Valley Civilisation. In the Indian film industry however, movies do not go earlier than the time of the Buddha or mythological eras. Indeed, the last Hindi language film set in ancient South Asia was probably Asoka back in 2001.

On a recent visit to London, I decided to have another look at the British Museum's handful of Indus objects. They are usually displayed – with little celebration, given their importance, like the first seal ever found at Harappa . . .

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