This figurine is from Early Harappan (Period 2, Kot Diji Phase) levels at Harappa.
HARP (Harappa Archaeological Research Project) a group of scholars from a variety of fields dedicated to advancing the study of the ancient Indus Valley civilization.
Detail view of a hollow area that would originally have held a wooden beam bonded into the baked brick structure. In the background is a wall remnant from the later rebuilding of the "granary".
The ancient Harappans went to great efforts to obtain exotic colored stones for making beads of different shapes and sizes.
Flakes of various shades of agate, carnelian, jasper, chert, and lapis lazuli indicate the range of raw materials being processed in this part of Harappa during the Ravi phase.
Early Harappan (Kot Dijian Phase, Period II) female figurines are often broken. On the left is the lower half of a figurine, showing wide hips and pointed legs. On the right is the upper half of a figurine with traces of painting.
Hollow baked brick buttresses were later built up against the original "granary" structure on top of a shallow mud-brick platform  that itself overlies the mud-brick platform of the original "granary". Below these platforms is baked brick wall
This carnelian bead has been artificially colored with white lines and circles using a special bleaching technique developed by the ancient Harappans.
Early Harappan female figurine holding a bowl in her two hands. The face is painted with bold eyes and a necklace with pendant beads is painted at the throat.