Essays on the symbols and study of the written communication or script system used by the ancient Indus Valley civilization.
There is no such thing as an accepted Indus Valley script dictionary. Such a dictionary is probably decades away. Nonetheless, below are summarized some of Asko Parpola and Iravatham Mahadevan's
Introduction
Asko Parpola needs no introduction to those interested in the problems of the Indus script.
In 1920, excavations at Harappa brought to light the ruins of a large brick-laid city, and soon a whole unknown civilization was uncovered in and around
One can try to assess Parpola's decipherment at two levels.
'Fig Tree + Crab' Sign: Proto-Rudra
Fig. 4: Fig Tree + Crab Sign and Components
Parpola refers to two sets of copper tablets, both with the same inscription
The 'Squirrel' Sign: Title of Murukan
Fig. 3: Bangles and Squirrel Sign
Parpola has proposed reading a pair of signs as 'bangles + squirrel' (Fig.III b),
'Bangles' Sign: God Murukan
Fig. 3: Bangles and Squirrel Sign
The principal deity of early Tamils was Murakan, the youthful god of war and love, who became identified with the North
Fig. 2: Modified Fish Signs
The Star Rohini
Parpola starts with the assumption that the 'dot + fish' sign (Fig.II d) occurring in the 'Fig Deity' seal is likely to represent the deity
Fig. 2: Modified Fish Signs
'Modified fish' signs: Planets and a Star
The Indus texts very often feature the 'fish' sign modified by some diacritic-like markings (Fig.II). These signs
Fig. 1: Number and Fish Signs
The 'fish' sign: Starting Point
As the starting point for his linguistic decipherment Parpola accepts the famous rebus (Fig.
