Recently published research describes how engravings on Harappan stamp seals allow the identification of particular artisans in the past. He explains how 3D optical microscopy can be used on these engravings to reconstruct how past production events were undertaken by different individual carvers.
Senior archaeologists, including J.M. Kenoyer, Michael Jansen and Aurore Didier debate how to preserve this great site. Rebury? What do you think?
As the first Mohenjodaro Conference in 44 years just ended, it is worth looking back at the last one in 1973, when many of the same themes and concerns were raised. In hindsight, there is some evidence of impact, even if the situation at the site has continued to deteriorate and the basic issues of waterlogging, salinity and enroachment remain as acute as ever.
A leading figure in Italian archaeology and Co-Director of the Italy Oman international research program studying the beginnings of navigation and long-distance trade in the Indian Ocean died at the age of 72 yesterday in Ravenna, Italy.
These postcards from the early 1900s and albumen photographs from the 1860s give us a glimpse into some of the fishing technologies and practices that were in use at the time.
Coningham's article from an anthology of research on the archaeology of the Harappan Civilisation presents an overview of the complex nature of the origin and decipherment of the Indus script.
A major conference on Mohenjodaro is opening today in Mohenjodaro, with leading scholars from around the world, including many who contribute to Harappa.com.
An important contribution synthesizing many fields of research. The authors write: "This paper will explore the nature and dynamics of adaptation and resilience in the face of a diverse and varied environmental and ecological context using the case study of South Asia’s Indus Civilization (ca. 3000–1300 BC), and although it will consider the Indus region as a whole, it will focus primarily on the plains of northwest India."
A recent exhibition of Sumatran (Indonesian) ceremonial hangings in cotton and silk from the 19th century at the De Young Museum in San Francisco made me wonder whether such textiles were also in vogue in another maritime culture, the ancient Indus, whose boats would not seem out of place in these examples.
A critical news report from Al-Jazeera about the state of the site in 2017, with footage which shows the difference between the city these days, and the relatively recent past.