An exploration of the prevalence and manufacture of a distinctive ornament which persists both in South Asian culture today, and throughout the larger West Asian and Middle Eastern world as well.
"There can be no doubt that some Indus seals are fine artistic achievements. Probably one of the main functions of the seal's iconographic motifs, and the quality of their carving, was to convey the status of the seal owner."
Some similarities have been found in the glyphs between Rongorongo and Indus writing. As well, the direction of writing (boustrophedon) might be the same/similar to Indus. What do scholars say?
Three experts respond to a question from one of our users.
The beauty of this paper is that it sets out very clearly the procedure needed to document bead types, the careful measurement and classification steps to start understanding a specific bead tradition.
We do have some evidence of patterns that look like a board game but the evidence is sparse and we really have no good idea about what they played.
Another answer from our panel of ancient Indus experts to a question posed by site visitors.
One of the nice thing about archaeology is the surprises. Surprises like finding the Ghaggar-Hakra aka Sarasvati River according to some was not flowing in any big way during the Indus period (3500 BCE-1800 BCE).
Papers of the Peabody Museum of Archaeology and Ethnology, Harvard University, vol. 86.
Of all the untapped veins to mine in ancient Indus studies, none may be as rich as the thousands of figurines excavated from all sites.
Another question from our site visitors answered by Indus scholars.