Art

Blog posts about the art of the ancient Indus Valley Civilization.

Ritual Mask or Amulet

Loosely included under the rubric of terracotta "figurines" are the terracotta masks found at some Harappan sites. This mask clearly has a feline face with an open mouth with exposed fangs, a beard, small round ears and upright bovine horns. It is small and has two holes on each side of the face that would have allowed it to be attached to a puppet or worn, possibly as an amulet or as a symbolic mask. The combination of different animal features creates the effect of a fierce composite animal.

Rare Three Animal Seal from Mohenjo-daro

J.M. Kenoyer describes it as a "square seal with animal whose multiple-heads include three important totemic animals: the bull, the unicorn, the antelope. All three animals appear individually on other seals along with script, but this seal has no script. The perforated boss on the back is plain, without the groove found on most seals." (Ancient Cities, p. 194). E.J.H. Mackay wrote that "a possible explanation of this unusual devices is that its owner may have sought the protection or assistance of three separate deities represented by the heads of these three animals" (Further Excavations,

Detailed Religious Scene Seal

One of the most evocative seals from Mohenjo-daro, depicting a deity with horned headdress and bangles on both arms, standing in a pipal (sacred fig) tree and looking down on a kneeling worshiper. A human head rests on a small stool and giant ram and seven figures in procession complete the narrative. Asko Parpola writes "An anthropomorphic figure has knelt in front of a fig tree, with hands raised in respectful salutation, prayer or worship. This reverence suggests the divinity of its object, another anthropomorphic figure standing inside the fig tree.

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